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Voices and Apparitions (2016) — 7 min.
Soprano and electronics.
View score here.
A poem-song for soprano and fixed multichannel playback. Written for Rosie K.
This piece was written for the New Jersey Composers Guild's Milton Babbitt Centenary concert. Babbitt's "Vision and Prayer" is a soprano-and-electronics setting of Dylan Thomas's shape-poem. I was intrigued by the way a concrete poem—determined by the diamond-and-hourglass shaped stanzas—could be translated into sound. I wrote my own diamond-and-hourglass-shaped poem in response, thinking about how Babbitt's music idealizes the quantification of sonic experience, but the phenomenon of listening to it highlights all that can't be quantified, like an irrational number overspilling with decimals.
I sampled Rosie’s speak-singing voice, then created a fixed media track that explodes the consonants of the text over a ribbon of continuous vowels. Rosie's performance, which moves from speech to song and back again, is timed to loosely coincide these electronic versions of herself.
"Voices and Apparitions" can be presented as a live voice-and-electronics performance or as a multichannel fixed media piece. It has been presented at the Underwolf Festival (Los Angeles), National Sawdust (New York), and the SEAMUS 2020 conference (Charlottesville, VA and online).
Voices and Apparitions
text by Christopher Douthitt
No
Omened
Or neume-pierced
Veil, no fossils
Scattered thin across
Sunken fields, nor pitchblende-
Hidden ore, nor greenish glow
In foggy glass; no secret scrawl.
To know would be — weighted terms — to know
Past proving grounds, past atoms split,
But the sure pull of numbers
On the thing, which is there
And not, clear as air,
Unencumbered:
A closed all
Opened
On.
Apparitions in the optic nerve,
Like wreckage on sunlit waters,
Elude the earnest plotters
Of spasmed event: surge
Buckshot through blancmange!
Starlings, converge!
That such traps
Don’t snap,
See
Unfixed
Erratic
Beast-things springing
From any nested whole.
So, sudden data singing:
The floor of frozen faces
Concatenates - no, imbricates! -
Inert input - splash! - a dozen vases.